75 bars of 4/4 at a walking 91 BPM, 3:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-19, 31-33 and 55-57, and 1 more place -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 16 times: bars 4, 16, 20, 22, 30, 34 and 10 more.
6 more fills are written out on the fills page.
75 bars across 11 sections: 46 keep time, 16 are fills and 2 are silent. The longest unbroken stretch of time is bars 44-53.
91 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
75 bars, about 3:16 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 4, 16, 20, 22, 30, 34 and 10 more.