153 bars of 4/4 at 142 BPM, about 4:19 of playing, on crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-7, 10-13 and 18-23, and 6 more places -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 11 times: bars 8, 14, 24, 32, 40, 48 and 5 more.
153 bars across 7 sections: 122 keep time, 11 are fills, 10 are stops and 1 is silent. The longest unbroken stretch of time is bars 130-151.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
153 bars, about 4:19 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 27 minutes each.
crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 11 times: bars 8, 14, 24, 32, 40, 48 and 5 more.