23 bars of 4/4 at a walking 85 BPM, 1:05 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-2 and 8-9 -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 5 times: bars 2, 3, 14, 22 and 23.
23 bars across 6 sections: 10 keep time, 5 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 7-13.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 42 out of 100; the rest of the number is everything around it.
23 bars, about 1:05 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 2, 3, 14, 22 and 23.