177 bars at 180 BPM -- fast, and 3:56 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 34-38, 77-81 and 156-160 -- 8.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 16 times: bars 8, 16, 17, 18, 19, 51 and 10 more.
177 bars across 16 sections: 135 keep time, 16 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 100-129.
180 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 67 out of 100; the rest of the number is everything around it.
177 bars, about 3:56 at the written tempo. The course breaks it into 49 exercises over 17 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 16 times: bars 8, 16, 17, 18, 19, 51 and 10 more.