113 bars of 4/4 at 150 BPM, about 2:59 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-9, 36 and 97-102, and 2 more places -- 15.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 35 times: bars 10, 12, 14, 16, 18, 19 and 29 more.
9 more fills are written out on the fills page.
113 bars across 15 sections: 54 keep time, 35 are fills, 8 are stops and 1 is silent. The longest unbroken stretch of time is bars 1-9.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
113 bars, about 2:59 at the written tempo. The course breaks it into 50 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 35 times: bars 10, 12, 14, 16, 18, 19 and 29 more.