147 bars of 4/4 at 140 BPM, about 4:12 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 33-39, 41-48 and 60, and 8 more places -- 31.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 19 times: bars 5, 6, 7, 8, 16, 28 and 13 more.
6 more fills are written out on the fills page.
147 bars across 16 sections: 71 keep time, 20 are fills, 27 are stops and 14 are silent. The longest unbroken stretch of time is bars 18-24.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
147 bars, about 4:12 at the written tempo. The course breaks it into 47 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 5, 6, 7, 8, 16, 28 and 13 more.