105 bars at 175 BPM -- fast, and 2:24 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-10, 52-58 and 98-104 -- 21% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 16 times: bars 1, 2, 18, 26, 32, 34 and 10 more.
9 more fills are written out on the fills page.
105 bars across 8 sections: 73 keep time, 17 are fills and 6 are stops. The longest unbroken stretch of time is bars 3-13.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
105 bars, about 2:24 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 16 times: bars 1, 2, 18, 26, 32, 34 and 10 more.