133 bars at 180 BPM -- fast, and 2:56 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 43-45, 47-49 and 51-53 -- 6.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 29 times: bars 5, 9, 13, 17, 21, 31 and 23 more.
14 more fills are written out on the fills page.
133 bars across 15 sections: 64 keep time, 29 are fills and 18 are stops. The longest unbroken stretch of time is bars 62-68.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
133 bars, about 2:56 at the written tempo. The course breaks it into 65 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 29 times: bars 5, 9, 13, 17, 21, 31 and 23 more.