194 bars at 220 BPM -- fast, and 3:31 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 62-64, 66-68 and 70-72, and 13 more places -- 22.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 1, 2, 3, 13, 17, 21 and 8 more.
3 more fills are written out on the fills page.
194 bars across 12 sections: 135 keep time, 14 are fills, 30 are stops and 1 is silent. The longest unbroken stretch of time is bars 108-134.
220 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
194 bars, about 3:31 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 1, 2, 3, 13, 17, 21 and 8 more.