155 bars of 4/4 at 154 BPM, about 4:01 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26, 28 and 30, and 19 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 55 times: bars 3, 5, 7, 13, 17, 21 and 49 more.
19 more fills are written out on the fills page.
155 bars across 14 sections: 86 keep time, 55 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 98-105.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
155 bars, about 4:01 at the written tempo. The course breaks it into 59 exercises over 15 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 55 times: bars 3, 5, 7, 13, 17, 21 and 49 more.