146 bars at 160 BPM -- fast, and 3:40 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 52-53, 56 and 60-61, and 9 more places -- 14.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 25 times: bars 21, 25, 30, 31, 32, 34 and 19 more.
13 more fills are written out on the fills page.
146 bars across 13 sections: 84 keep time, 25 are fills, 5 are stops and 21 are silent. The longest unbroken stretch of time is bars 73-80.
160 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
146 bars, about 3:40 at the written tempo. The course breaks it into 51 exercises over 18 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 25 times: bars 21, 25, 30, 31, 32, 34 and 19 more.