162 bars of 4/4 at a walking 105 BPM, 6:08 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-27, 33 and 35, and 9 more places -- 21.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 24, 28, 36, 60, 92, 100 and 4 more.
1 more fill is written out on the fills page.
162 bars across 19 sections: 117 keep time, 10 are fills, 1 is a stop and 19 are silent. The longest unbroken stretch of time is bars 138-161.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
162 bars, about 6:08 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 24, 28, 36, 60, 92, 100 and 4 more.