135 bars at 220 BPM -- fast, and 2:27 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-7, 9-15 and 63-68 -- 15.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 8, 25, 26, 30, 34, 38 and 6 more.
3 more fills are written out on the fills page.
135 bars across 12 sections: 78 keep time, 12 are fills, 34 are stops and 3 are silent. The longest unbroken stretch of time is bars 9-16.
220 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
135 bars, about 2:27 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 8, 25, 26, 30, 34, 38 and 6 more.