162 bars at 180 BPM -- fast, and 3:36 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29-31, 33-34 and 37-39, and 7 more places -- 20.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 24 times: bars 6, 8, 10, 20, 28, 32 and 18 more.
3 more fills are written out on the fills page.
162 bars across 15 sections: 100 keep time, 24 are fills, 2 are stops and 23 are silent. The longest unbroken stretch of time is bars 84-91.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
162 bars, about 3:36 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 24 times: bars 6, 8, 10, 20, 28, 32 and 18 more.