150 bars at 180 BPM -- fast, and 3:20 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9, 11-13 and 15, and 9 more places -- 34.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 19 times: bars 10, 14, 22, 30, 40, 47 and 13 more.
4 more fills are written out on the fills page.
150 bars across 11 sections: 105 keep time, 19 are fills, 4 are stops and 12 are silent. The longest unbroken stretch of time is bars 93-107.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
150 bars, about 3:20 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 19 times: bars 10, 14, 22, 30, 40, 47 and 13 more.