119 bars of 4/4 at a walking 100 BPM, 4:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 34-35, 38-39 and 62-63, and 3 more places -- 10.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 41 times: bars 17, 18, 19, 20, 25, 26 and 35 more.
9 more fills are written out on the fills page.
119 bars across 12 sections: 56 keep time, 41 are fills and 5 are stops. The longest unbroken stretch of time is bars 1-10.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
119 bars, about 4:46 at the written tempo. The course breaks it into 52 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 41 times: bars 17, 18, 19, 20, 25, 26 and 35 more.