113 bars of 4/4 at a walking 100 BPM, 4:31 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 12-15, 36-38 and 44-47, and 3 more places -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 31 times: bars 16, 17, 18, 21, 25, 33 and 25 more.
6 more fills are written out on the fills page.
113 bars across 13 sections: 62 keep time, 32 are fills and 1 is a stop. The longest unbroken stretch of time is bars 42-47.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 83 out of 100; the rest of the number is everything around it.
113 bars, about 4:31 at the written tempo. The course breaks it into 43 exercises over 16 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 31 times: bars 16, 17, 18, 21, 25, 33 and 25 more.