137 bars of 4/4 at a walking 76 BPM, 6:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 49-72 and 114-117 -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 36 times: bars 5, 6, 8, 10, 12, 13 and 30 more.
12 more fills are written out on the fills page.
137 bars across 16 sections: 74 keep time, 36 are fills, 4 are stops and 4 are silent. The longest unbroken stretch of time is bars 49-78.
76 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
137 bars, about 6:32 at the written tempo. The course breaks it into 52 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 36 times: bars 5, 6, 8, 10, 12, 13 and 30 more.