126 bars of 4/4 at 145 BPM, about 3:29 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-20, 22-24 and 51-53, and 1 more place -- 11% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 38 times: bars 8, 12, 16, 17, 21, 25 and 32 more.
12 more fills are written out on the fills page.
126 bars across 14 sections: 58 keep time, 38 are fills, 3 are stops and 17 are silent. The longest unbroken stretch of time is bars 1-7.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 82 out of 100; the rest of the number is everything around it.
126 bars, about 3:29 at the written tempo. The course breaks it into 52 exercises over 15 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 38 times: bars 8, 12, 16, 17, 21, 25 and 32 more.