118 bars at 180 BPM -- fast, and 2:37 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 59, 61 and 63, and 6 more places -- 11.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 43 times: bars 4, 5, 12, 13, 21, 25 and 37 more.
16 more fills are written out on the fills page.
118 bars across 12 sections: 50 keep time, 43 are fills, 6 are stops and 6 are silent. The longest unbroken stretch of time is bars 16-20.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
118 bars, about 2:37 at the written tempo. The course breaks it into 54 exercises over 15 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 43 times: bars 4, 5, 12, 13, 21, 25 and 37 more.