102 bars at 220 BPM -- fast, and 1:50 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17, 19 and 21, and 6 more places -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 39 times: bars 12, 16, 20, 24, 25, 26 and 33 more.
9 more fills are written out on the fills page.
102 bars across 9 sections: 40 keep time, 40 are fills, 6 are stops and 6 are silent. The longest unbroken stretch of time is bars 29-33.
220 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
102 bars, about 1:50 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 39 times: bars 12, 16, 20, 24, 25, 26 and 33 more.