122 bars at 165 BPM -- fast, and 2:57 of it without a break -- on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10, 14 and 16, and 13 more places -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 25 times: bars 15, 18, 20, 28, 35, 36 and 19 more.
7 more fills are written out on the fills page.
122 bars across 14 sections: 73 keep time, 25 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 37-45.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
122 bars, about 2:57 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 25 times: bars 15, 18, 20, 28, 35, 36 and 19 more.