198 bars of 4/4 at 132 BPM, about 6:00 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 67, 70-71 and 75, and 5 more places -- 5.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 53 times: bars 1, 2, 3, 4, 5, 6 and 47 more.
8 more fills are written out on the fills page.
198 bars across 14 sections: 99 keep time, 53 are fills and 26 are stops. The longest unbroken stretch of time is bars 104-111.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
198 bars, about 6:00 at the written tempo. The course breaks it into 71 exercises over 25 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 53 times: bars 1, 2, 3, 4, 5, 6 and 47 more.