91 bars of 3/4 -- not four -- at 95 BPM, 3:17 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 79-81, 83-85 and 87-89 -- 10.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 26 times: bars 17, 20, 23, 24, 25, 26 and 20 more.
10 more fills are written out on the fills page.
91 bars across 9 sections: 40 keep time, 26 are fills, 15 are stops and 6 are silent. The longest unbroken stretch of time is bars 2-8.
95 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
91 bars, about 3:17 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 26 times: bars 17, 20, 23, 24, 25, 26 and 20 more.