484 bars of 4/4 at a walking 90 BPM, 21:31 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 158, 162 and 166, and 51 more places -- 19.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
51 fills to learn, played 176 times: bars 7, 13, 19, 25, 29, 30 and 170 more.
47 more fills are written out on the fills page.
484 bars across 24 sections: 186 keep time, 176 are fills, 85 are stops and 23 are silent. The longest unbroken stretch of time is bars 337-348.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 11 out of 100; the rest of the number is everything around it.
484 bars, about 21:31 at the written tempo. The course breaks it into 115 exercises over 30 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
51 fills to learn, played 176 times: bars 7, 13, 19, 25, 29, 30 and 170 more.