200 bars of 4/4 at a walking 90 BPM, 8:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-22, 24-30 and 32-35, and 13 more places -- 21.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 25 times: bars 8, 9, 10, 11, 12, 20 and 19 more.
12 more fills are written out on the fills page.
200 bars across 20 sections: 116 keep time, 25 are fills, 32 are stops and 7 are silent. The longest unbroken stretch of time is bars 45-52.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
200 bars, about 8:56 at the written tempo. The course breaks it into 61 exercises over 13 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 25 times: bars 8, 9, 10, 11, 12, 20 and 19 more.