57 bars, 3:10, at 71 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 16, 18 and 33, and 4 more places -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 10 times: bars 3, 13, 15, 20, 30, 32 and 4 more.
3 more fills are written out on the fills page.
57 bars across 10 sections: 30 keep time, 10 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 50-56.
71 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
57 bars, about 3:10 at the written tempo. The course breaks it into 30 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 3, 13, 15, 20, 30, 32 and 4 more.