122 bars of 4/4 at 130 BPM, about 3:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13, 21 and 23, and 9 more places -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 46 times: bars 4, 6, 7, 8, 12, 14 and 40 more.
13 more fills are written out on the fills page.
122 bars across 21 sections: 53 keep time, 46 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 115-122.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 100 out of 100; the rest of the number is everything around it.
122 bars, about 3:38 at the written tempo. The course breaks it into 39 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 46 times: bars 4, 6, 7, 8, 12, 14 and 40 more.