45 bars of 4/4 at 140 BPM, about 1:12 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 24-32 -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 8 times: bars 14, 15, 35, 36, 37, 38 and 2 more.
3 more fills are written out on the fills page.
45 bars across 9 sections: 28 keep time, 8 are fills and 2 are silent. The longest unbroken stretch of time is bars 25-33.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 84 out of 100; the rest of the number is everything around it.
45 bars, about 1:12 at the written tempo. The course breaks it into 24 exercises over 10 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 14, 15, 35, 36, 37, 38 and 2 more.