117 bars of 3/4 -- not four -- at 150 BPM, 3:26 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 19, 24-25 and 27, and 7 more places -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 56 times: bars 1, 2, 3, 5, 6, 8 and 50 more.
16 more fills are written out on the fills page.
117 bars across 11 sections: 29 keep time, 56 are fills, 8 are stops and 11 are silent.
150 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
99 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 98 out of 100; the rest of the number is everything around it.
117 bars, about 3:26 at the written tempo. The course breaks it into 48 exercises over 17 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 56 times: bars 1, 2, 3, 5, 6, 8 and 50 more.