164 bars of 4/4 at 130 BPM, about 5:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25, 27 and 29, and 32 more places -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 24 times: bars 32, 36, 40, 58, 64, 68 and 18 more.
10 more fills are written out on the fills page.
164 bars across 14 sections: 95 keep time, 24 are fills, 14 are stops and 19 are silent. The longest unbroken stretch of time is bars 9-24.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
164 bars, about 5:03 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 24 times: bars 32, 36, 40, 58, 64, 68 and 18 more.