140 bars of 4/4 at 148 BPM, about 3:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 34-35, 38 and 42-43, and 7 more places -- 13.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 58 times: bars 6, 7, 9, 13, 17, 21 and 52 more.
16 more fills are written out on the fills page.
140 bars across 18 sections: 59 keep time, 58 are fills, 1 is a stop and 9 are silent. The longest unbroken stretch of time is bars 124-127.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 73 out of 100; the rest of the number is everything around it.
140 bars, about 3:40 at the written tempo. The course breaks it into 54 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 58 times: bars 6, 7, 9, 13, 17, 21 and 52 more.