96 bars of 4/4 at a walking 105 BPM, 3:40 of playing, on crash, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 25-28, 39-40 and 43-44, and 4 more places -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 22 times: bars 10, 12, 35, 36, 38, 42 and 16 more.
4 more fills are written out on the fills page.
96 bars across 13 sections: 51 keep time, 23 are fills and 13 are silent. The longest unbroken stretch of time is bars 17-24.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
96 bars, about 3:40 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 22 times: bars 10, 12, 35, 36, 38, 42 and 16 more.