131 bars of 4/4 at 130 BPM, about 3:50 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 39, 41 and 45, and 4 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 17 times: bars 24, 36, 37, 38, 42, 43 and 11 more.
1 more fill is written out on the fills page.
131 bars across 12 sections: 68 keep time, 17 are fills, 22 are stops and 8 are silent. The longest unbroken stretch of time is bars 81-92.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
131 bars, about 3:50 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 17 times: bars 24, 36, 37, 38, 42, 43 and 11 more.