97 bars of 4/4 at 130 BPM, about 2:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 55-57, 59-61 and 63-65, and 1 more place -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 10, 11, 12, 13, 19, 21 and 3 more.
1 more fill is written out on the fills page.
97 bars across 8 sections: 53 keep time, 9 are fills and 26 are stops. The longest unbroken stretch of time is bars 1-9.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
97 bars, about 2:55 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 10, 11, 12, 13, 19, 21 and 3 more.