145 bars of 4/4 at a walking 107 BPM, 5:25 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 121-144 -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 39, 40, 49, 50, 58, 60 and 4 more.
2 more fills are written out on the fills page.
145 bars across 12 sections: 96 keep time, 10 are fills, 2 are stops and 25 are silent. The longest unbroken stretch of time is bars 122-144.
107 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
145 bars, about 5:25 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 39, 40, 49, 50, 58, 60 and 4 more.