287 bars of 4/4 at a walking 89 BPM, 12:54 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26-35, 38-39 and 59, and 35 more places -- 28.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 37 times: bars 25, 37, 41, 58, 67, 68 and 31 more.
7 more fills are written out on the fills page.
287 bars across 16 sections: 165 keep time, 40 are fills, 57 are stops and 8 are silent. The longest unbroken stretch of time is bars 2-16.
89 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
287 bars, about 12:54 at the written tempo. The course breaks it into 45 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 37 times: bars 25, 37, 41, 58, 67, 68 and 31 more.