128 bars at 195 BPM -- fast, and 2:26 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-5, 26-40 and 98-100 -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 8 times: bars 119, 120, 121, 122, 123, 124 and 2 more.
128 bars across 14 sections: 93 keep time, 8 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 5-24.
195 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
128 bars, about 2:26 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 8 times: bars 119, 120, 121, 122, 123, 124 and 2 more.