140 bars of 6/4 -- not four -- at 250 BPM, 3:02 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15-24, 47-56 and 66-71, and 1 more place -- 27.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 13 times: bars 4, 5, 13, 25, 29, 36 and 7 more.
3 more fills are written out on the fills page.
140 bars across 14 sections: 71 keep time, 14 are fills, 1 is a stop and 43 are silent. The longest unbroken stretch of time is bars 82-96.
250 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
140 bars, about 3:02 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 4, 5, 13, 25, 29, 36 and 7 more.