112 bars of 4/4 at 124 BPM, about 3:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 18-20, 22-24 and 26-28, and 3 more places -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 32 times: bars 1, 17, 21, 25, 29, 31 and 26 more.
6 more fills are written out on the fills page.
112 bars across 8 sections: 67 keep time, 32 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 2-16.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
112 bars, about 3:36 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 32 times: bars 1, 17, 21, 25, 29, 31 and 26 more.