151 bars of 4/4 at a walking 92 BPM, 6:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 46-72, 74-76 and 78-80 -- 22.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 21 times: bars 9, 33, 35, 37, 39, 41 and 15 more.
5 more fills are written out on the fills page.
151 bars across 10 sections: 114 keep time, 21 are fills, 3 are stops and 5 are silent. The longest unbroken stretch of time is bars 47-80.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
151 bars, about 6:34 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 21 times: bars 9, 33, 35, 37, 39, 41 and 15 more.