134 bars at 190 BPM -- fast, and 2:49 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33, 35 and 37, and 19 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 7 times: bars 24, 48, 74, 82, 116, 124 and 1 more.
2 more fills are written out on the fills page.
134 bars across 10 sections: 64 keep time, 7 are fills, 51 are stops and 3 are silent. The longest unbroken stretch of time is bars 4-23.
190 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
134 bars, about 2:49 at the written tempo. The course breaks it into 43 exercises over 14 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 7 times: bars 24, 48, 74, 82, 116, 124 and 1 more.