235 bars of 4/4 at 130 BPM, about 7:12 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 83-84, 91-92 and 171, and 7 more places -- 6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 57 times: bars 6, 9, 14, 17, 18, 19 and 51 more.
10 more fills are written out on the fills page.
235 bars across 21 sections: 146 keep time, 57 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 155-169.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
92 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 72 out of 100; the rest of the number is everything around it.
235 bars, about 7:12 at the written tempo. The course breaks it into 74 exercises over 31 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 57 times: bars 6, 9, 14, 17, 18, 19 and 51 more.