163 bars of 4/4 at 152 BPM, about 4:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-11, 14-15 and 22-23, and 9 more places -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 24 times: bars 24, 35, 37, 43, 45, 57 and 18 more.
9 more fills are written out on the fills page.
163 bars across 15 sections: 80 keep time, 24 are fills, 39 are stops and 5 are silent. The longest unbroken stretch of time is bars 2-10.
152 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
163 bars, about 4:13 at the written tempo. The course breaks it into 50 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 24 times: bars 24, 35, 37, 43, 45, 57 and 18 more.