553 bars of 4/4 at 120 BPM, about 19:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 158-170, 172-177 and 227-228, and 2 more places -- 6.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 fills to learn, played 105 times: bars 18, 19, 20, 21, 22, 23 and 99 more.
23 more fills are written out on the fills page.
553 bars across 35 sections: 200 keep time, 105 are fills, 34 are stops and 186 are silent. The longest unbroken stretch of time is bars 159-177.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 20 out of 100; the rest of the number is everything around it.
553 bars, about 19:20 at the written tempo. The course breaks it into 125 exercises over 37 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 105 times: bars 18, 19, 20, 21, 22, 23 and 99 more.