370 bars of 4/4 at 146 BPM, about 10:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 246-248, 250-252 and 258-260, and 3 more places -- 6.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 20 times: bars 93, 94, 95, 96, 97, 98 and 14 more.
3 more fills are written out on the fills page.
370 bars across 42 sections: 230 keep time, 22 are fills, 4 are stops and 74 are silent. The longest unbroken stretch of time is bars 45-80.
146 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 83 out of 100; the rest of the number is everything around it.
370 bars, about 10:22 at the written tempo. The course breaks it into 114 exercises over 37 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 20 times: bars 93, 94, 95, 96, 97, 98 and 14 more.