252 bars of 4/4 at a walking 90 BPM, 8:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 194-207 -- 7.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 28 times: bars 6, 20, 23, 25, 39, 42 and 22 more.
10 more fills are written out on the fills page.
252 bars across 17 sections: 102 keep time, 28 are fills, 35 are stops and 64 are silent. The longest unbroken stretch of time is bars 195-207.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
252 bars, about 8:50 at the written tempo. The course breaks it into 78 exercises over 25 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 28 times: bars 6, 20, 23, 25, 39, 42 and 22 more.