82 bars of 4/4 at a walking 92 BPM, 3:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 29-31, and 5 more places -- 31.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 14 times: bars 8, 12, 28, 32, 36, 46 and 8 more.
7 more fills are written out on the fills page.
82 bars across 7 sections: 54 keep time, 14 are fills, 3 are stops and 5 are silent. The longest unbroken stretch of time is bars 14-27.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
82 bars, about 3:31 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 14 times: bars 8, 12, 28, 32, 36, 46 and 8 more.