285 bars of 4/4 at a walking 104 BPM, 11:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 144, 171-183 and 249, and 1 more place -- 7.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 75 times: bars 16, 23, 24, 33, 34, 35 and 69 more.
19 more fills are written out on the fills page.
285 bars across 26 sections: 165 keep time, 75 are fills, 13 are stops and 3 are silent. The longest unbroken stretch of time is bars 171-183.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
285 bars, about 11:02 at the written tempo. The course breaks it into 107 exercises over 30 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 75 times: bars 16, 23, 24, 33, 34, 35 and 69 more.