331 bars of 3/4 -- not four -- at 85 BPM, 12:58 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-46 and 210-223 -- 8.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 81 times: bars 16, 24, 47, 48, 49, 50 and 75 more.
14 more fills are written out on the fills page.
331 bars across 25 sections: 203 keep time, 81 are fills, 11 are stops and 6 are silent. The longest unbroken stretch of time is bars 194-208.
85 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
331 bars, about 12:58 at the written tempo. The course breaks it into 87 exercises over 27 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 81 times: bars 16, 24, 47, 48, 49, 50 and 75 more.